JOHN
ROGERS HERBERT R.A., H.R.I. (1810 – 1890)
EARLY
19th CENTURY WATERCOLOUR
Portrait
of Three Young Ladies on a Balcony
Watercolour
heightened with white
Signed
& dated 1834 on fragment of original border attached to reverse of frame
24"
x 18" (with arched top)
In
antique style gold frame
IMAGE
John Rogers Herbert was a painter of portraits, historical genre,
biblical scenes and landscapes. He
studied at the Royal Academy Schools from 1826 to 1828 and became one of the
first masters at the Government School of Design at Somerset House. At first he was a painter of portraits,
which he began to exhibit at the Royal Academy in 1830. He then turned to painting romantic
genre. His picture The Rendezvous
was engraved for one of the Keepsake books.
As well as the Royal Academy, he also exhibited at the
British Institute, the New Watercolour Society, the Royal Institute (of which he
was an Honorary Member), Thomas Agnew
and Sons Gallery, The Royal Society of Artists Birmingham, the Fine Art
Society, Walker Art Gallery Liverpool, Manchester City Art Gallery and the Suffolk Street Galleries. In 1841 he was elected Associate Member of
the Royal Academy, rising to full membership
in 1846. Following a visit to Italy, he painted many Italian
historical subjects. A keen admirer of
Pugin, Herbert was converted to Catholicism in about 1840. Thereafter his subjects were predominantly
biblical, although he continued to paint some charming landscapes and genre
scenes. Herbert's biblical scenes show
familiarity with the work of Dyce and
the Nazarenes. His picture Our
Saviour Subject to his Parents at Nazareth (Guildhall Art Gallery Exhibition
1847), seems to anticipate Millais's Christ in the House of his Parents, painted
three years later, but Herbert used far more conventional Italian style
figures. He lived at The Chimes, West End Lane, Kilburn, London and his sons Arthur John,
Cyril Wiseman and Wilfred Vincent were all painters. Examples of work by John
Rogers Herbert are in the British Museum and the Victoria and Albert Museum.
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